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Georgia Tech Yellow Jackets vs. Alcorn State Braves Tickets
Bobby Dodd Stadium
Atlanta, Georgia
September 3, xxxx
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modern up to its date except drama had done, on the importance of Character. Description and dialogue are rather subordinate to these things than on a level with them--but they are still further worked out than before. And there is a new element--perhaps suggested by the parabasis of ancient comedy, but, it may be, more directly by the peculiar method of Swift in A Tale of a Tub. At various places in his narrative, but especially at the beginnings of books and chapters, Fielding as it were "calls a halt" and addresses his readers on matters more or less relevant to the story, but rather in the manner of a commentator and scholiast upon it than as actual parts of it. Of this more later: for the immediate purpose is to survey and not to criticise. The result of all this was Tom Jones--by practically universal consent one of the capital books of English literature. It is unnecessary to recapitulate the famous praises of Gibbon, of Coleridge, of Byron, and of others: and it is only necessary to deal briefly with the complaints which, if they have never found such monumental expression as the praises,
have been sometimes widely entertained. These objections--as regards interest--fasten partly on the address?digressions, partly on the great inset?episode of "The Man of the Hill:" as regards morality on a certain alleged looseness of principle in that respect throughout, and especially on the licence of conduct accorded to the hero himself and the almost entire absence of punishment for it. As for the first, "The Man of the Hill" was partly a concession to the fancy of the time for such things, partly a following of such actual examples as Fielding admitted--for it need hardly be said that the inset?episode, of no or very slight connection with the story, is common both in the ancients and in Cervantes, while it is to be found as long after Fielding as in the early novel?work of Dickens. The digression?openings are at least as satisfactory to some as they are unsatisfactory to others; it is even doubtful whether they annoy anybody half so much as they have delighted some excellent judges. The other point is well worn: but the wearing has not taken off its awkwardness and unsavouriness. Difference
of habit and manners at the time will account for much: but the wiser apologists will simply say that Fielding's attitude to certain deviations from the strict moral law was undoubtedly very indulgent, provided that such deviations were unaccompanied by the graver and more detestable vices of cruelty, treachery, and fraud--that to vice which was accompanied by these blacker crimes he was utterly merciless; and that if he is thus rather exposed to the charge of "compounding by damning"--in the famous phrase--the things that he damned admit of no excuse and those that he compounded for have been leniently dealt with by all but the sternest moralists. Such things are, however (in the admirable French sense), miseres --wretched petty cavils and shallows of criticism. The only sensible thing to do is to launch out with Fielding into that deep and open sea of human character and fate which he dared so gloriously. During the curious phase of literary opinion which the last twenty years or so have seen, it has apparently been discovered by some people that his scheme of human thought and feeling is too simple
"toylike" I think they call it--in comparison with that, say, of Count Tolstoi or of Mr. Meredith, that modern practice has reached a finer technique than his or even than that of his greatest follower, Thackeray. Far be it from the present writer to say, or to insinuate, anything disrespectful of the great moderns who have lately left us. Yet it may be said without the slightest disrespect to them that the unfavourable comparison is mainly a revival of Johnson's mistake as to Fielding and Richardson. It is, however, something more--for it comes also from a failure to estimate aright the parabasis?openings which have been more than once referred to. These passages do not perhaps exhibit the by?work and the process in the conspicuous skeleton?clock fashion which their critics admire and desire, but they contain an amount of acute and profound exploration of human nature which it would be difficult to match and impossible to surpass elsewhere: while the results of Fielding's working, of his "toylike" scheme, are remarkable toys indeed--toys which, if we regard them as such, must surely strike us as